DANCES OF PUNJAB:
1.Bhangra: celebrates the harvest and is associated with the festival of Baisakhi (April 13) when the sight of tall heaps of golden wheat fill the farmer’s heart with joy. To the accompaniment of large drums called dhols, he and his fellow villagers circle round and round in a leaping, laughing caper. It’s a dance that cuts across all divisions of class and education. At marriages, parties, or celebrations of any sort, it is quite common for men to break out in Bhangra. There are few sights more cheering than that of a dignified elder in three-piece suit getting up to join the young fellows for a moment of bhangra revelry.
2.Gidda:Women have a different but no less exuberant dance called gidda. The dancers enact verses called bolis, which represent folk poetry at its best. The subject matter of these bolis is wide ranging indeed – everything from arguments with the sister-in-law to political affairs figure in these lively songs. Aside from the drums, the rhythm of this dance is set by the distinctive hand-claps of the dancers.
3.Jhumar: This dance has originally come from Sandalbar (now in Pakistan), but is now very much a part of Punjab folk heritage. It is a dance of graceful gait, based on specific Jhumar rhythm. Dancers circle around the drummer, and keep up a soft, sibilant chorus as they dance.
4.Luddi: Luddi is a victory-dance recognisable by the swaying movements of the head. Its costume is a simple loose shirt. The performers place one hand at the back and the other before the face; the body movement is sinuous, snake-like. This is also danced with the drummer in the centre.
5.Julli: This dance associated with Muslim holymen called pirs and is generally danced in their hermitages (khangahs). This dance is mostly performed in sitting posture, sometimes it is also danced around the grave of a preceptor. A single dancer can also perform this dance. Normally the dancer wears black.
6.Dankara: Also called the gaatka dance, this is a dance of celebration. Two men, each holding colourful staves, dance round each other and tap their sticks together in rhythm with the drums. This dance is often part of marriage celebrations.
7.Dhamal: Similar to bhangra and is danced by men in a circle.
8.Sammi: Traditionally by women of the Sandalbar region, now in Pakistan. The dancers are dressed in bright coloured kurtas and full flowing skirts called lehengas. A peculiar silver hair ornament is associated with this dance.
9.Jaago: Literally, "wake up!" When there’s a marriage in the house, girls dance through the village streets carrying a pot (gaggar) decorated with lightened candles and singing jaagu songs. The theme of song in the ‘Jago’ is social and typically a bit of teasing (often aimed at elders) goes with the song.
10.Kikli: This dance is performed by women in pairs. They cross their arms, hold each other’s hands and whirl around singing folk songs. Sometimes four girls join hands to perform this dance.
11.Gatka: Martial art of Nihang Sharmas.
1.Bhangra: celebrates the harvest and is associated with the festival of Baisakhi (April 13) when the sight of tall heaps of golden wheat fill the farmer’s heart with joy. To the accompaniment of large drums called dhols, he and his fellow villagers circle round and round in a leaping, laughing caper. It’s a dance that cuts across all divisions of class and education. At marriages, parties, or celebrations of any sort, it is quite common for men to break out in Bhangra. There are few sights more cheering than that of a dignified elder in three-piece suit getting up to join the young fellows for a moment of bhangra revelry.
2.Gidda:Women have a different but no less exuberant dance called gidda. The dancers enact verses called bolis, which represent folk poetry at its best. The subject matter of these bolis is wide ranging indeed – everything from arguments with the sister-in-law to political affairs figure in these lively songs. Aside from the drums, the rhythm of this dance is set by the distinctive hand-claps of the dancers.
3.Jhumar: This dance has originally come from Sandalbar (now in Pakistan), but is now very much a part of Punjab folk heritage. It is a dance of graceful gait, based on specific Jhumar rhythm. Dancers circle around the drummer, and keep up a soft, sibilant chorus as they dance.
4.Luddi: Luddi is a victory-dance recognisable by the swaying movements of the head. Its costume is a simple loose shirt. The performers place one hand at the back and the other before the face; the body movement is sinuous, snake-like. This is also danced with the drummer in the centre.
5.Julli: This dance associated with Muslim holymen called pirs and is generally danced in their hermitages (khangahs). This dance is mostly performed in sitting posture, sometimes it is also danced around the grave of a preceptor. A single dancer can also perform this dance. Normally the dancer wears black.
6.Dankara: Also called the gaatka dance, this is a dance of celebration. Two men, each holding colourful staves, dance round each other and tap their sticks together in rhythm with the drums. This dance is often part of marriage celebrations.
7.Dhamal: Similar to bhangra and is danced by men in a circle.
8.Sammi: Traditionally by women of the Sandalbar region, now in Pakistan. The dancers are dressed in bright coloured kurtas and full flowing skirts called lehengas. A peculiar silver hair ornament is associated with this dance.
9.Jaago: Literally, "wake up!" When there’s a marriage in the house, girls dance through the village streets carrying a pot (gaggar) decorated with lightened candles and singing jaagu songs. The theme of song in the ‘Jago’ is social and typically a bit of teasing (often aimed at elders) goes with the song.
10.Kikli: This dance is performed by women in pairs. They cross their arms, hold each other’s hands and whirl around singing folk songs. Sometimes four girls join hands to perform this dance.
11.Gatka: Martial art of Nihang Sharmas.
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